1,548 Royalty-Free Audio Tracks for "Johann Philipp Eisel"

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Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte

Sollt ich meinem Gott nicht singen; Evang. Gesangbuch 325

Maria, Maienkönigin (Melodie von Aiblinger)

Johann Strauss II's overture to the opera The Gypsy Baron, played by the U.S. Marine Band for the album Overtures.

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Das ist der Tag, den Gott gemacht; Gotteslob (1975) 220; Gotteslob (2013) 329

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

King Champagne from Die Fledermaus by Johann Strauss II performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 16 from Wintertime (1999).

Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP

1st release date: 1933 1st recording date: 31 May 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performers: John McCormack (Tenor) (1884-1945), Edwin Schneider (Pianoforte) (1874-1958) Work: Beherzigung Content: Ach, was soll der Mensch verlangen?

1st release date: 1933 1st recording date: 31 May 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performers: John McCormack (Tenor) (1884-1945), Edwin Schneider (Pianoforte) (1874-1958) Work: Ganymed Content: Wie im Morgenglanze

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 2) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 1) Music genre: Tone poem

Die güldene Sonne bringt Leben und Wonne, Ev. Gesangbuch 444

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

Straus Waltz Medley performed by The US Air Force Strings

Listed by the w:United States Air Force Band at The Air Force Strings Music page as "Air", which might be confused with Air", but actually Air on the G String. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington, D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Performed with 7 first violins, 5 second violins, 4 violas, 3 cellos, 1 bass and 1 accordion, according to the liner notes

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Lobet den Herrn, alle Heiden (BWV 230) for voice (SATB) and continuo by J. S. Bach (1685–1750) from Edition Peters, 4592.

Wir pflügen und wir streuen (Evang. Gesangbuch 508)

Bach Fugue XXII in B flat minor BWV 869, closing bars

Gotteslob (1975) Anhang Hildesheim 818; Gotteslob (2013) Anhang Kirchenprovinz Hamburg 749: "Hör uns, o Schöpfer voller Huld", Text Vinzenz Stebler, Melodie Luther/Leisentritt

Bach's Invention No. 8 in F Major, BWV 779 performed by the Strolling Strings of the United States Air Force Band. Track 10 from Air Force Strolling Strings 40th Anniversary (1994).

Johann Sebastian Bach's 1st Partita for Solo Violin, 1st movement: Allemande, recorded in the MAT Listening Room, QMUL, London, UK

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5. Bahasa Melayu: Contoh ton dengung (pedal tone). Fail asal wiki:en ialah Domain Awam, calon Wiki Commons. Diubah daripada format mid ke ogg.

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5.

Ave Maria zart (Gotteslob (1975) 583; Gotteslob (2013) 527)

In Gottes Namen fahren wir, Gotteslob (1975) 303; Gotteslob (2013) Freiburg/ Rottenburg-Stuttgart 858

Wachet auf, ruft uns die Stimme ("Awake, calls the voice to us" or "Sleepers, Wake"), BWV 140, performed by the Galaxy Brass of the United States Air Force Band of the Rockies. Track 5 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1]

An der schonen, blauen Donau (The Beautiful Blue Danube) , Op. 314.

An der schönen, blauen Donau (The Beautiful Blue Danube) , Op. 314.

An der schönen, blauen Donau (The Beautiful Blue Danube) , Op. 314 (arr. for wind ensemble)

Johann Sebastian Bach (1685-1750): Choral prelude for organ ‘’Now comes the gentiles' Saviour’’ (about 1708-1717), BWV 659, Adagio, G minor, transcription for piano (1907-1909) by Feruccio Busoni (1866-1924), dedicated to José Vianna da Motta (1868-1948) in meantone temperament

Sei Lob und Ehr dem höchsten Gut (Evang. Gesangbuch 326) Wach auf, mein Herz, die Nacht ist hin (Evang. Gesangbuch 114) In Gottes Namen fang ich an (Evang. Gesangbuch 494) Nun freut euch hier und überall (Gotteslob (1975) 226; Gotteslob Kirchenprovinz Hamburg (2013) 776)

Minuet in G major (BWV Anh. 114) by Christian Petzold from the Notebook for Anna Magdalena Bach First published: 1725 or before as in https://imslp.org/wiki/Minuet_in_G_major,_BWV_Anh.114_(Pezold,_Christian) Other works on the same theme: https://vimeo.com/42708836 https://www.pianotv.net/2017/03/minuet-in-g-minor-anh-115-tutorial/ Recorded by Millennium bug in May 2019 (synthesiser sound version; see File:Menuet bwv anh 114 115 Anna Magdalena2.wav for piano sound version)

Minuet in G major (BWV Anh. 114) by Christian Petzold from the Notebook for Anna Magdalena Bach First published: 1725 or before as in https://imslp.org/wiki/Minuet_in_G_major,_BWV_Anh.114_(Pezold,_Christian) Other works on the same theme: https://vimeo.com/42708836 https://www.pianotv.net/2017/03/minuet-in-g-minor-anh-115-tutorial/ Recorded by Millennium bug in Jun 2019 (piano sound version; see File:Menuet bwv anh 114 115 Anna Magdalena.wav for synthesiser sound version)

Warum sollt ich mich denn grämen, Evang. Gesangbuch 370 Lasst und Gott, dem Herrn, lobsingen, Gotteslob (1975) Hildesheim 840; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 820

Polonaise in F major (BWV Anh. 117a) for piano by J. S. Bach (1685–1750) from Bach-Gesellschaft Ausgabe 1851-1899 Band 43 (1894).

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Yeonju Sarah Kim an der Evangelienorgel im Dom zu Salzburg

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

1st release date: 1924 1st recording date: January 1924 Place of recording: unknown Author(s)/Composer(s): Franz Schubert (1797-1828) Music arranger(s): none Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer(s): Claire Dux (1885-1967) Vocal range: instrumental Title/Work: Heidenröslein, D 257, Op. 3, No. 3 Content: - Genre(s): Tone poem